Thursday, June 16, 2016

Week 18


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-End Semester-

Week 17

Arthur Asher Miller
a prolific American playwright, essayist, and prominent figure in twentieth-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953) and A View from the Bridge (1955, revised 1956). He also wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman is often numbered on the short list of finest American plays in the 20th century alongside Long Day's Journey into Night and A Streetcar Named Desire.
Miller was often in the public eye, particularly during the late 1940s, 1950s and early 1960s. During this time, he was awarded the Pulitzer Prize for Drama; testified before the House Un-American Activities Committee; and was married to Marilyn Monroe. He received the Prince of Asturias Award and the Praemium Imperiale prize in 2002 and the Jerusalem Prize in 2003, as well as the Dorothy and Lillian Gish Lifetime Achievement Award.

Arthur Miller's career as a writer spanned over seven decades, and at the time of his death, Miller was considered to be one of the greatest dramatists of the twentieth century. After his death, many respected actors, directors, and producers paid tribute to Miller, some calling him the last great practitioner of the American stage, and Broadway theaters darkened their lights in a show of respect. Miller's Alma Mater, the University of Michigan, opened the Arthur Miller Theater in March 2007. As per his express wish, it is the only theater in the world that bears Miller's name.

Other notable arrangements for Miller's legacy are that his letters, notes, drafts and other papers are housed at the Harry Ransom Humanities Research Center at The University of Texas at Austin.
Arthur Miller is also a member of the American Theater Hall of Fame. He was inducted in 1979. In 1993 he received the Four Freedom Award for Freedom of Speech.

Death of a Salesman 
a 1949 play written by American playwright Arthur Miller. It was the recipient of the 1949 Pulitzer Prize for Drama and Tony Award for Best Play. The play premiered on Broadway in February 1949, running for 742 performances, and has been revived on Broadway four times, winning three Tony Awards for Best Revival. It is widely considered to be one of the greatest plays of the 20th century.


Summary: Willy Loman returns home exhausted after a cancelled business trip. Worried over Willy's state of mind and recent car accident, his wife Linda suggests that he ask his boss Howard Wagner to allow him to work in his home city so he will not have to travel. Willy complains to Linda that their son, Biff, has yet to make good on his life. Despite Biff's promising showing as an athlete in high school, he flunked senior-year math and never went to college.
Biff and his brother Happy, who is temporarily staying with Willy and Linda after Biff's unexpected return from the West, reminisce about their childhood together. They discuss their father's mental degeneration, which they have witnessed in the form of his constant indecisiveness and schizophrenic daydreaming about the boys' high school years. Willy walks in, angry that the two boys have never amounted to anything. In an effort to pacify their father, Biff and Happy tell their father that Biff plans to make a business proposition the next day.
The next day, Willy goes to ask his boss, Howard, for a job in town while Biff goes to make a business proposition, but both fail. Willy gets angry and ends up getting fired when the boss tells him he needs a rest and can no longer represent the company. Biff waits hours to see a former employer who does not remember him and turns him down. Biff impulsively steals a fountain pen. Willy then goes to the office of his neighbor Charley, where he runs into Charley's son Bernard (now a successful lawyer); Bernard tells him that Biff originally wanted to do well in summer school, but something happened in Boston when Biff went to visit his father that changed his mind.
Happy, Biff, and Willy meet for dinner at a restaurant, but Willy refuses to hear bad news from Biff. Happy tries to get Biff to lie to their father. Biff tries to tell him what happened as Willy gets angry and slips into a flashback of what happened in Boston the day Biff came to see him. Willy had been having an affair with a receptionist on one of his sales trips when Biff unexpectedly arrived at Willy's hotel room. A shocked Biff angrily confronted his father, calling him a liar and a fraud. From that moment, Biff's views of his father changed and set Biff adrift.
Biff leaves the restaurant in frustration, followed by Happy and two girls that Happy has picked up. They leave a confused and upset Willy behind in the restaurant. When they later return home, their mother angrily confronts them for abandoning their father while Willy remains outside, talking to himself. Biff tries unsuccessfully to reconcile with Willy, but the discussion quickly escalates into another argument. Biff conveys plainly to his father that he is not meant for anything great, insisting that both of them are simply ordinary men meant to lead ordinary lives. The feud reaches an apparent climax with Biff hugging Willy and crying as he tries to get Willy to let go of the unrealistic expectations. Rather than listen to what Biff actually says, Willy appears to believe his son has forgiven him, and after Linda goes upstairs to bed, (despite her urging him to follow her), lapses one final time into a memory of Biff's football career before exiting the house. Biff and Linda cry out in despair as the sound of Willy's car blares up and fades out.
The final scene takes place at Willy's funeral, which is attended only by his family, Bernard, and Charley. The ambiguities at the funeral of mixed and unaddressed emotions persist, particularly over whether Willy's choices or circumstances were obsolete. At the funeral Biff retains his belief that he does not want to become a businessman like his father. Happy, on the other hand, chooses to follow in his father's footsteps, while Linda laments her husband's decision just before her final payment on the house.

Movie

a 1985 American made-for-television film adaptation, directed by Volker Schlöndorff, starring Dustin Hoffman, Kate Reid, John Malkovich, Stephen Lang and Charles Durning. The film follows the script of the 1949 play almost exactly. The film earned 10 Emmy nominations at the 38th Primetime Emmy Awards ceremony and 4 Golden Globe nominations at the 43rd Golden Globe Awards ceremony, winning 3 and 1, respectively.



Catch me if you can

 a 2002 American biographical crime film, based on the life of Frank Abagnale, who, before his 19th birthday, successfully performed cons worth millions of dollars by posing as a Pan American World Airways pilot, a Georgia doctor, and a Louisiana parish prosecutor. His primary crime was check fraud; he became so experienced that the FBI eventually turned to him for help in catching other check forgers. The film was directed by Steven Spielberg and stars Leonardo DiCaprio and Tom Hanks, with Christopher Walken, Martin Sheen, Nathalie Baye and Amy Adams in supporting roles.
Development for the film started in 1980 but did not progress until 1997 when the film rights to Abagnale’s book were sold to Spielberg's DreamWorks. David Fincher, Gore Verbinski, Lasse Hallström, Miloš Forman, and Cameron Crowe had all been possible candidates for director before Spielberg decided to direct. Filming took place from February to May 2002. The film was a financial and critical success, and the real Abagnale reacted positively to it.


Thursday, June 9, 2016

Week 16

continued to A Midsummer Night's Dream...

Summary:

Theseus, duke of Athens, is preparing for his marriage to Hippolyta, queen of the Amazons, with a four-day festival of pomp and entertainment. He commissions his Master of the Revels, Philostrate, to find suitable amusements for the occasion. Egeus, an Athenian nobleman, marches into Theseus’s court with his daughter, Hermia, and two young men, Demetrius and Lysander. Egeus wishes Hermia to marry Demetrius (who loves Hermia), but Hermia is in love with Lysander and refuses to comply. Egeus asks for the full penalty of law to fall on Hermia’s head if she flouts her father’s will. Theseus gives Hermia until his wedding to consider her options, warning her that disobeying her father’s wishes could result in her being sent to a convent or even executed. Nonetheless, Hermia and Lysander plan to escape Athens the following night and marry in the house of Lysander’s aunt, some seven leagues distant from the city. They make their intentions known to Hermia’s friend Helena, who was once engaged to Demetrius and still loves him even though he jilted her after meeting Hermia. Hoping to regain his love, Helena tells Demetrius of the elopement that Hermia and Lysander have planned. At the appointed time, Demetrius stalks into the woods after his intended bride and her lover; Helena follows behind him.

In these same woods are two very different groups of characters. The first is a band of fairies, including Oberon, the fairy king, and Titania, his queen, who has recently returned from India to bless the marriage of Theseus and Hippolyta. The second is a band of Athenian craftsmen rehearsing a play that they hope to perform for the duke and his bride. Oberon and Titania are at odds over a young Indian prince given to Titania by the prince’s mother; the boy is so beautiful that Oberon wishes to make him a knight, but Titania refuses. Seeking revenge, Oberon sends his merry servant, Puck, to acquire a magical flower, the juice of which can be spread over a sleeping person’s eyelids to make that person fall in love with the first thing he or she sees upon waking. Puck obtains the flower, and Oberon tells him of his plan to spread its juice on the sleeping Titania’s eyelids. Having seen Demetrius act cruelly toward Helena, he orders Puck to spread some of the juice on the eyelids of the young Athenian man. Puck encounters Lysander and Hermia; thinking that Lysander is the Athenian of whom Oberon spoke, Puck afflicts him with the love potion. Lysander happens to see Helena upon awaking and falls deeply in love with her, abandoning Hermia. As the night progresses and Puck attempts to undo his mistake, both Lysander and Demetrius end up in love with Helena, who believes that they are mocking her. Hermia becomes so jealous that she tries to challenge Helena to a fight. Demetrius and Lysander nearly do fight over Helena’s love, but Puck confuses them by mimicking their voices, leading them apart until they are lost separately in the forest.



When Titania wakes, the first creature she sees is Bottom, the most ridiculous of the Athenian craftsmen, whose head Puck has mockingly transformed into that of an ass. Titania passes a ludicrous interlude doting on the ass-headed weaver. Eventually, Oberon obtains the Indian boy, Puck spreads the love potion on Lysander’s eyelids, and by morning all is well. Theseus and Hippolyta discover the sleeping lovers in the forest and take them back to Athens to be married—Demetrius now loves Helena, and Lysander now loves Hermia. After the group wedding, the lovers watch Bottom and his fellow craftsmen perform their play, a fumbling, hilarious version of the story of Pyramus and Thisbe. When the play is completed, the lovers go to bed; the fairies briefly emerge to bless the sleeping couples with a protective charm and then disappear. Only Puck remains, to ask the audience for its forgiveness and approval and to urge it to remember the play as though it had all been a dream.



Video: What is literature for?

Think!
Why should we spend our time reading novels and poems when, out there, big things are going on?
1. It saves your time.
2. It makes you nicer.
3. It's a cure for loneliness.
4. It prepares you for failure.


13th amendmentWhat was the 13th Amendment?
Passed by Congress on January 31, 1865, and ratified on December 6, 1865, the13th amendment abolished slavery in the United States and provides that "Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States.

Who was involved with the creation of the 13th Amendment?
The 13th amendment, which formally abolished slavery in the United States, passed the Senate on April 8, 1864, and the House on January 31, 1865. On February 1, 1865, President Abraham Lincoln approved the Joint Resolution of Congress submitting the proposed amendment to the state legislatures.




When was slavery abolished in the USA?
Passed by Congress on January 31, 1865, and ratified on December 6, 1865, the 13th amendment abolished slavery in the United States. The 13th amendment, which formally abolished slavery in the United States, passed the Senate on April 8, 1864, and the House on January 31, 1865.

How long did it take for the Thirteenth Amendment to be ratified by state legislatures after it was passed by Congress?
Thirteenth Amendment summary: The 13th Amendment abolished slavery in the United States and was the first of three Reconstruction Amendments adopted in thefive years following the American Civil War. The 13th Amendment, passed by Congress January 31, 1865, and ratified December 6, 1865, states: 1.


Magic Mirror
 a mystical object that is featured in the story of Snow White.


The Magic Mirror is owned by the Evil Queen and has been depicted in different versions as either a hand mirror or a mirror on the wall. Every morning, the Evil Queen asked the Magic Mirror the question "Magic mirror in my hand, who is the fairest in the land?". The mirror always replies: "My Queen, you are the fairest in the land." The Queen is always pleased with that, because the magic mirror never lies. But, when Snow White reaches the age of seven, she becomes as beautiful as the day and even more beautiful than the Queen and when the Queen asks her mirror, it responds: "My Queen, you are the fairest here so true. But Snow White is a thousand times more beautiful than you." This resulted in the Evil Queen enlisting a huntsman to kill Snow White and bring her Snow White's lungs and liver. After eating the lungs and liver of a boar that the Huntsman passed off as Snow White's lungs and liver, the Evil Queen asked the Magic Mirror the question "Magic Mirror in my hand, who is the fairest in the land?" The mirror replies: "My Queen, you are the fairest here so true. But Snow White beyond the mountains at the seven Dwarfs is a thousand times more beautiful than you." This caused the Evil Queen to disguise herself as different women to kill Snow White. After the latest attempt with a poison apple which was undone by the Prince and Snow White marrying him, the Evil Queen asked the Magic Mirror who the fairest in the land was, the Magic Mirror quoted "You, my Queen, are fair so true. But the young Queen is a thousand times fairer than you." The Evil Queen learned too late at the wedding that the young queen in question was Snow White which eventually leads to the Queen's death which varied per version.

Week 15

demigod or demi-god 
a divine or supernatural being in classical mythology. The term has been used in various ways at different times and can refer to a figure who has attained divine status after death, a minor deity, or a mortal who is the offspring of a god and a human being.

Theseus
the mythical king of Athens and was the son of Aethra by two fathers: Aegeus and Poseidon.
Theseus was a founder-hero, like Perseus, Cadmus, or Heracles (Hercules), all of whom battled and overcame foes that were identified with an archaic religious and social order. As Heracles was the Dorian hero, Theseus was a founding hero, considered by Athenians as their own great reformer: his name comes from the same root as thesmos, Greek for "The Gathering". The myths surrounding Theseus—his journeys, exploits, and family—have provided material for fiction throughout the ages.


Theseus was responsible for the synoikismos ("dwelling together")—the political unification of Attica under Athens, represented emblematically in his journey of labours, subduing ogres and monstrous beasts. Because he was the unifying king, Theseus built and occupied a palace on the fortress of the Acropolis that may have been similar to the palace that was excavated in Mycenae. Pausanias reports that after the synoikismos, Theseus established a cult of Aphrodite Pandemos("Aphrodite of all the People") and Peitho on the southern slope of the Acropolis.
Plutarch's vita (a literalistic biography) of Theseus makes use of varying accounts of the death of the Minotaur, Theseus' escape, and the love of Ariadne for Theseus. Plutarch's sources, not all of whose texts have survived independently, included Pherecydes, Demon, Philochorus, and Cleidemus.

Aegeus or Aegeas
an archaic figure in the founding myth of Athens. The "goat-man" who gave his name to the Aegean Sea was, next to Poseidon, the father of Theseus, the founder of Athenian institutions and one of the kings of Athens.



Heracles
born Alcaeus or Alcides, was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon and great-grandson/half-brother of Perseus. He was the greatest of the Greek heroes, a paragon of masculinity, the ancestor of royal clans who claimed to be Heracleidae and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman Emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, but added anecdotal detail of their own, some of it linking the hero with the geography of the Central Mediterranean. Details of his cult were adapted to Rome as well.
Extraordinary strength, courage, ingenuity, and sexual prowess with both males and females were among the characteristics commonly attributed to him. Heracles used his wits on several occasions when his strength did not suffice, such as when laboring for the king Augeas of Elis, wrestling the giant Antaeus, or tricking Atlas into taking the sky back onto his shoulders. Together with Hermes he was the patron and protector of gymnasia and palaestrae. His iconographic attributes are the lion skin and the club. These qualities did not prevent him from being regarded as a playful figure who used games to relax from his labors and played a great deal with children. By conquering dangerous archaic forces he is said to have "made the world safe for mankind" and to be its benefactor. Heracles was an extremely passionate and emotional individual, capable of doing both great deeds for his friends and being a terrible enemy who would wreak horrible vengeance on those who crossed him, as Augeas, Neleus and Laomedon all found out to their cost.

Hercules is the Roman name for the Greek divine hero Heracles, who was the son of Zeus and the mortal Alcmene. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures.
The Romans adapted the Greek hero's iconography and myths for their literature and art under the name Hercules. In later Western art and literature and in popular culture, Hercules is more commonly used than Heracles as the name of the hero. Hercules was a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition.


The twelve labors of Heracles or Hercules

a series of episodes concerning a penance carried out by Heracles, the greatest of the Greek heroes, whose name was later Romanised as Hercules. They were accomplished over 12 years at the service of King Eurystheus. The episodes were later connected by a continuous narrative. The establishment of a fixed cycle of twelve labours was attributed by the Greeks to an epic poem, now lost, written by Peisander, dated about 600 BC. After Hercules killed his wife and children, he went to the oracle a Delphi. He prayed to the god Apollo for guidance. Hercules was told to serve the king of Mycenae, Eurystheus, for 12 years. During these 12 years, Hercules is sent to perform twelve difficult feats, called labors.


A Midsummer Night's Dream
a comedy written by William Shakespeare sometime between 1590 and 1597. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta. These include the adventures of four young Athenian lovers and a group of six amateur actors who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world.


Saturday, May 28, 2016

Week 14


Carpe diem: a Latin aphorism, usually translated "seize the day", taken from book 1 of the Roman poet Horace's work Odes (23 BC).


Andrew Marvell 
an English metaphysical poet, satirist and politician who sat in the House of Commons at various times between 1659 and 1678. During the Commonwealth period he was a colleague and friend of John Milton. His poems range from the love-song "To His Coy Mistress", to evocations of an aristocratic country house and garden in "Upon Appleton House" and "The Garden", the political address "An Horatian Ode upon Cromwell's Return from Ireland", and the later personal and political satires "Flecknoe" and "The Character of Holland".
T. S. Eliot wrote of Marvell's style that 'It is more than a technical accomplishment, or the vocabulary and syntax of an epoch; it is, what we have designated tentatively as wit, a tough reasonableness beneath the slight lyric grace'. He also identified Marvell and the metaphysical school with the 'dissociation of sensibility' that occurred in 17th-century English literature; Eliot described this trend as 'something which... happened to the mind of England... it is the difference between the intellectual poet and the reflective poet'. Poets increasingly developed a self-conscious relationship to tradition, which took the form of a new emphasis on craftsmanship of expression and an idiosyncratic freedom in allusions to Classical and Biblical sources.
Marvell's most celebrated lyric, "To His Coy Mistress", combines an old poetic conceit (the persuasion of the speaker's lover by means of a carpe diem philosophy) with Marvell's typically vibrant imagery and easy command of rhyming couplets. Other works incorporate topical satire and religious themes.

"To His Coy Mistress" 
a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60).
This poem is considered one of Marvell's finest and is possibly the best recognized carpe diem poem in English. Although the date of its composition is not known, it may have been written in the early 1650s. At that time, Marvell was serving as a tutor to the daughter of the retired commander of the New Model Army, Sir Thomas Fairfax.
Until recently, “To His Coy Mistress” had been received by many as a poem that follows the traditional conventions of carpe diem love poetry. Some modern critics, however, argue Marvell’s use of complex and ambiguous metaphors challenges the perceived notions of the poem. It as well raises suspicion of irony and deludes the reader with its inappropriate and jarring imagery.
Some critics believe the poem is an ironic statement on sexual seduction. They reject the idea that Marvell’s poem carries a serious and solemn mood. Rather, the poem’s opening lines—“Had we but world enough, and time/ This coyness, Lady, were no crime”—seems to suggest quite a whimsical tone of regret. In the second part of the poem, there is a sudden transition into imagery that involves graves, marble vaults and worms. The narrator’s use of such metaphors to depict a realistic and harsh death that awaits the lovers seems to be a way of shocking the lady into submission. As well, critics note the sense of urgency of the narrator in the poem’s third section, especially the alarming comparison of the lovers to “amorous birds of prey.”




Robert Herrick
a 17th-century English lyric poet and cleric. He is best known for Hesperides, a book of poems. This includes the carpe diem poem "To the Virgins, to Make Much of Time", with the first line "Gather ye rosebuds while ye may".



"To the Virgins, to Make Much of Time" 
a poem written by English Cavalier poet Robert Herrick in the 17th century. The poem is in the genre of carpe diem, Latin for seize the day.
First published in 1648 as number 208 in a volume of verse entitled Hesperides, it is perhaps one of the most famous poems to extol the notion of carpe diem. Carpe diem expresses a philosophy that recognizes the brevity of life and therefore the need to live for and in the moment. The phrase originates in Horace's Ode 1.11.

The opening line, "Gather ye rosebuds while ye may", echoes the Latin phrase collige, virgo, rosas ("gather, girl, the roses"), which appears at the end of the poem "De rosis nascentibus," also called "Idyllium de rosis," attributed to Ausonius or Virgil.
Nearly the same sense was expressed thousands of years earlier in Wisdom of Solomon 2:8, "Let us crown ourselves with rosebuds before they wither", a verse ironically given as the example of a fool's reasoning in denying the resurrection of the dead and turning to licence.



Tuesday, May 24, 2016

Week 13


Samuel Taylor Coleridge 
an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Emerson and American transcendentalism.



"Kubla Khan; or, A Vision in a Dream: A Fragment"
a poem written by Samuel Taylor Coleridge, completed in 1797 and published in 1816. According to Coleridge's Preface to "Kubla Khan", the poem was composed one night after he experienced an opium-influenced dream after reading a work describing Xanadu, the summer palace of the Mongol ruler and Emperor of China Kublai Khan. Upon waking, he set about writing lines of poetry that came to him from the dream until he was interrupted by a person from Porlock. The poem could not be completed according to its original 200–300 line plan as the interruption caused him to forget the lines. He left it unpublished and kept it for private readings for his friends until 1816 when, at the prompting of Lord Byron, it was published.
Some of Coleridge's contemporaries denounced the poem and questioned his story of its origin. It was not until years later that critics began to openly admire the poem. Most modern critics now view "Kubla Khan" as one of Coleridge's three great poems, along with The Rime of the Ancient Mariner and Christabel. The poem is considered one of the most famous examples of Romanticism in English poetry. A copy of the manuscript is a permanent exhibit at the British Museum in London.

synopsis: The speaker describes the “stately pleasure-dome” built in Xanadu according to the decree of Kubla Khan, in the place where Alph, the sacred river, ran “through caverns measureless to man / Down to a sunless sea.” Walls and towers were raised around “twice five miles of fertile ground,” filled with beautiful gardens and forests. A “deep romantic chasm” slanted down a green hill, occasionally spewing forth a violent and powerful burst of water, so great that it flung boulders up with it “like rebounding hail.” The river ran five miles through the woods, finally sinking “in tumult to a lifeless ocean.” Amid that tumult, in the place “as holy and enchanted / As e’er beneath a waning moon was haunted / By woman wailing to her demon-lover,” Kubla heard “ancestral voices” bringing prophesies of war. The pleasure-dome’s shadow floated on the waves, where the mingled sounds of the fountain and the caves could be heard. “It was a miracle of rare device,” the speaker says, “A sunny pleasure-dome with caves of ice!”

The speaker says that he once saw a “damsel with a dulcimer,” an Abyssinian maid who played her dulcimer and sang “of Mount Abora.” He says that if he could revive “her symphony and song” within him, he would rebuild the pleasure-dome out of music, and all who heard him would cry “Beware!” of “His flashing eyes, his floating hair!” The hearers would circle him thrice and close their eyes with “holy dread,” knowing that he had tasted honeydew, “and drunk the milk of Paradise.”


Matthew Arnold
an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator. Matthew Arnold has been characterised as a sage writer, a type of writer who chastises and instructs the reader on contemporary. social issues.





"Dover Beach" 
a lyric poem by the English poet Matthew Arnold. It was first published in 1867 in the collection New Poems, but surviving notes indicate its composition may have begun as early as 1849. The most likely date is 1851.
The title, locale and subject of the poem's descriptive opening lines is the shore of the English ferry port of Dover, Kent, facing Calais, France, at the Strait of Dover, the narrowest part (21 miles) of the English Channel, where Arnold honeymooned in 1851.


















Edgar Allan Poe 
an American writer, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States and American literature as a whole, and he was one of the country's earliest practitioners of the short story. Poe is generally considered the inventor of the detective fiction genre and is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.
Poe attended the University of Virginia for one semester but left due to lack of money. Poe quarreled with Allan over the funds for his education and enlisted in the Army in 1827 under an assumed name. It was at this time that his publishing career began, albeit humbly, with the anonymous collection of poems Tamerlane and Other Poems (1827), credited only to "a Bostonian". With the death of Frances Allan in 1829, Poe and Allan reached a temporary rapprochement. However, Poe later failed as an officer's cadet at West Point, declaring a firm wish to be a poet and writer, and he ultimately parted ways with John Allan.
Poe switched his focus to prose and spent the next several years working for literary journals and periodicals, becoming known for his own style of literary criticism. In January 1845, Poe published his poem "The Raven" to instant success. His wife died of tuberculosis two years after its publication. For years, he had been planning to produce his own journal The Penn (later renamed The Stylus), though he died before it could be produced. Poe died in Baltimore on October 7, 1849 at age 40.
Poe and his works influenced literature in the United States and around the world, as well as in specialized fields such as cosmology and cryptography. Poe and his work appear throughout popular culture in literature, music, films, and television. A number of his homes are dedicated museums today. The Mystery Writers of America present an annual award known as the Edgar Award for distinguished work in the mystery genre.

"The Raven" 
a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. The lover, often identified as being a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further instigate his distress with its constant repetition of the word "Nevermore". The poem makes use of a number of folk, mythological, religious, and classical references.
Poe claimed to have written the poem very logically and methodically, intending to create a poem that would appeal to both critical and popular tastes, as he explained in his 1846 follow-up essay, "The Philosophy of Composition". The poem was inspired in part by a talking raven in the novel Barnaby Rudge: A Tale of the Riots of 'Eighty by Charles Dickens. Poe borrows the complex rhythm and meter of Elizabeth Barrett's poem "Lady Geraldine's Courtship", and makes use of internal rhyme as well as alliteration throughout.
"The Raven" was first attributed to Poe in print in the New York Evening Mirror on January 29, 1845. Its publication made Poe widely popular in his lifetime, although it did not bring him much financial success. The poem was soon reprinted, parodied, and illustrated. Critical opinion is divided as to the poem's literary status, but it nevertheless remains one of the most famous poems ever written.
Synopsis: "The Raven" follows an unnamed narrator on a dreary night in December who sits reading "forgotten lore" by a dying fire as a way to forget the death of his beloved Lenore. A "tapping at [his] chamber door" reveals nothing, but excites his soul to "burning". The tapping is repeated, slightly louder, and he realizes it is coming from his window. When he goes to investigate, a raven flutters into his chamber. Paying no attention to the man, the raven perches on a bust of Pallas above the door.
Amused by the raven's comically serious disposition, the man asks that the bird tell him its name. The raven's only answer is "Nevermore". The narrator is surprised that the raven can talk, though at this point it has said nothing further. The narrator remarks to himself that his "friend" the raven will soon fly out of his life, just as "other friends have flown before" along with his previous hopes. As if answering, the raven responds again with "Nevermore". The narrator reasons that the bird learned the word "Nevermore" from some "unhappy master" and that it is the only word it knows.
Even so, the narrator pulls his chair directly in front of the raven, determined to learn more about it. He thinks for a moment in silence, and his mind wanders back to his lost Lenore. He thinks the air grows denser and feels the presence of angels, and wonders if God is sending him a sign that he is to forget Lenore. The bird again replies in the negative, suggesting that he can never be free of his memories. The narrator becomes angry, calling the raven a "thing of evil" and a "prophet". Finally, he asks the raven whether he will be reunited with Lenore in Heaven. When the raven responds with its typical "Nevermore", he is enraged, and, calling it a liar, commands the bird to return to the "Plutonian shore"—but it does not move. Presumably at the time of the poem's recitation by the narrator, the raven "still is sitting" on the bust of Pallas. The narrator's final admission is that his soul is trapped beneath the raven's shadow and shall be lifted "Nevermore".

"To Helen" 
the first of two poems to carry that name written by Edgar Allan Poe. The 15-line poem was written in honor of Jane Stanard, the mother of a childhood friend. It was first published in 1831 collection Poems of Edgar A. Poe. It was then reprinted in 1836 in the Southern Literary Messenger.

Original 1831 version

Helen, thy beauty is to me
    Like those Nicean barks of yore,
That gently, o'er a perfum'd sea,
    The weary way-worn wanderer bore
    To his own native shore.

On desperate seas long wont to roam,
    Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
    To the beauty of fair Greece,
And the grandeur of old Rome.

Lo ! in that little window-niche
    How statue-like I see thee stand!
    The folded scroll within thy hand —
A Psyche from the regions which
    Are Holy land !

Revised 1845 version


Helen, thy beauty is to me
Like those Nicean barks of yore
That gently, o'er a perfumed sea,
The weary, way-worn wanderer bore
To his own native shore.

On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
To the glory that was Greece,
And the grandeur that was Rome.

Lo, in yon brilliant window-niche
How statue-like I see thee stand,
The agate lamp within thy hand,
Ah! Psyche, from the regions which
Are Holy Land!


Vocabulary
1. Semiotics : (noun)the study of signs and symbols and their use or interpretation.
2. Onomatopoeia : (noun) the formation of a word from a sound associated with what is named (e.g. cuckoo, sizzle ); the use of onomatopoeia for literary effect.